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Get-tys-burg, Vicks-burg, and Port Hud-son made a turn-ing point in his-to-ry.
"But always," Retief said, "there was a critical point at which the man on horseback could have been pulled from the saddle."
The earliest manuscripts of Greece and Rome show nothing like this distinctive Celtic art; nor the Italian mosaics, nor the wall paintings of Herculaneum or Pompeii—beautiful as are the representations of the human figure found there; nor does Byzantine art afford any similar types. From whence, then, did the Irish, the acknowledged founders of Celtic art in Europe, derive their ideas of ornamentation? This is one of the historical mysteries which, like the origin of the Round Towers, still awaits solution. One must travel a long way, even to the far East, before finding in the decorations of the ancient Hindoo temples anything approaching to the typical idea that runs through all Irish ornamentation. It is, however, an incontrovertible fact, and one proved289 to demonstration by Mr. Westwood’s learning, labour, and researches, that a time when the pictorial art was almost extinct in Italy and Greece, and indeed scarcely existed in other parts of Europe—namely, from the fifth to the end of the eighth century—a style of art had been originated, cultivated, and brought into a most marvellous state of perfection in Ireland absolutely distinct from that of any other part of the civilized world; and which being carried abroad by Irish and Saxon missionaries was adopted and imitated in the schools of Charlemagne, and in all the other great schools and monasteries founded by them upon the Continent.
??Io Orfano!?? cried Arthur, greatly delighted, and stabbing himself with an elucidatory forefinger. ??Io Orfano anche.??
"What! pass the rest of your life in writing Lord Hetherington's letters, and cramming him for speeches which he will never deliver?"
1.But the answer soon came in an order for a reinforcement, and we all besieged the Colonel—who was good-nature itself and treated us like his own children—for permission to join. "Run off, then, the lot of you, and let the Germans see what your faces look like," he cried, laughing; and off we went, overjoyed at our good-fortune.
Wid that I saysed hauld of the broom, and drove the craychure out. I seen Miss Claire joomp oop from whare shes digging at her floury hidge, and as the thafe wint flying down the parth, wid me at his heels, both she and the dood bust out larfing, she thrying her bist to kape a strate face.
There was a long pause. The boat moved sideways, gravitating towards the farther bank, nearing ridges of sand and islets of brushwood and rubbish, mysterious shapes that stuck up sharp and fantastic in the moonlight. Something swished past, rippling the water with swift cleavage--a long, black water-snake hurrying to its refuge. And a mighty splash broke the stillness--a crocodile disturbed from its stupor on a sandbank.
No; I’m not going to be a chronicler in this chapter. It sounds a dull subject, I know, but many things happened in Gloucester, Hereford and Worcester in mellow September days that were vastly amusing and which were not reported in the papers, and it is about these I am going to tell you.